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In 2009 Miltos Manetas wrote the “Piracy Manifesto”, a strong statement that sets a turning point for understanding the 2.0 wide culture of remix and its political implications.
We can state that remix culture is everywhere. We find it in net art, photography, video, music, activism, blogs. It all started on a conceptual basis with Duchampian readymades (where he recontextualizes “found source material”).
The “Piracy Manifesto” by Miltos Manetas has been presented at the 1st “Internet Pavilion” during the Venice Biennale in 2009, and at MAXXI Museum in Rome in 2010.
Jodi: Folksomy (Part 2)
Rough documentation of the second half of the performance made in Brescia, Spazio Contemporanea, on October 15, 2011, as part of the exhibition “Collect the WWWorld. The Artist as Archivist in the Internet Age” curated by Domenico Quaranta and produced by LINK Center for the Arts of the Information Age.
Collect the WWWorld, a great exhibition curated by Domenico Quaranta, wants to demonstrate how the Internet generation is implementing and developing a practice started in the Sixties by Conceptual Art, and further developed in the next decades in the forms of Appropriation Art and postproduction: the practice of exploring, collecting, archiving, manipulating, reusing huge amounts of visual material produced by popular culture and advertising.